A Brief History
Piki Mendizabal was born in Havana in 1982. From 2006 to 2008 he studied at the Escuela Nacional de Bellas Artes San Alejandro in Havana. In April of 2008 Piki left Cuba, settling in Homestead, Florida. He had his first solo show, Sueños de la Libertad, in 2009 at the Zu Gallery in Miami. His paintings are often set in his native Habana Vieja where everyday hardships intersect with half a millenium of cultural legacy. His art was displayed at various group exhibitions and museums and comprised two solo shows in New Orleans: 'Reflection and the Diasporic Epic' which was held at the Mexican Cultural Institute in 2018 and 'The Parade Ends' at the Jonathan Ferrara Gallery in 2020.
A painting of his was recently admitted into the collection of the Denver Art Museum in Colorado.
Piki is currently living and working in Miami.
My art belongs to the Old Havana of Cuba. It is my fountain; everything that I paint comes from there. It is a huge part of me, just like my painting. Since I was a boy, I have always had a sensitivity to art; as a child I was always drawing and creating. But as I matured I realized that I had a need to express more. Some people express with music, others dancing, but I found I was most eloquent with colors. It is through my paintings that I can let others into my world, a place where I am now an artist living in the United States but once was a dreamer in Cuba.
The motivation for my paintings stems from the nostalgia of Cuba and my childhood. Painting is a way to invite others into my Old Havana – the part of Old Havana that you do not find in tourist guides. When people look at my paintings they are not only seeing into my memories, but also the day-to-day experiences of each of my neighbors. Sometimes I worry that the culture that I grew up in will disappear, for what I see as light most people view as shadow. It is this fear of losing these moments that urges me to memorialize them in paint.
While I love remembering the Cuba of my childhood, I have always been drawn to the Cuba of the 40s, the time that Cuba was finding it’s identity through art, music, and writings. When I see the art from this decade, I am immediately transported and want to be a part of it. It is part of my nostalgia. This desire to know more about my country taught me that I love history, and I like to read. Through this I found a connection to Greek Mythology and the architecture and sculptures that go with it. There is something familiar about the emotions I feel when I see buildings and art that are falling apart.
When people look at my artwork I want them to see me. I want them to see Cuba as I saw Cuba. I want them to feel the sea – a mass of blue that, to Cubans, is seen as both a border and a bridge to our dreams. I want them to seek a glimpse of the Yoruba religion, an AfroCuban religion that is practiced by my father and neighbors. My paintings are an extension of me, and I hope that those who see them can find a part of themselves.